Recently, I visited “To Fast to Live, Too Young to Die,” an exhibit showcasing the graphic art of the early punk scenes in New York and London, at the Museum of Art and Design. The exhibit captured a raw, wild creative moment in New York. Continue reading
While returning several slightly overdue books–yes, I resemble the stereotypical book hoarder–at the Mid-Manhattan Library of the New York Public Library on a recent afternoon, I noticed a flyer promoting a seed library. Any library member could request up to three packets of non-GMO vegetable, flower, or herb seeds.
My interest was piqued.
When discussing my book, Left Bank of the Hudson: Jersey City and the Artists of 111 1st Street, at a public event or even among a handful of people, a fundamental question invariably arises: what might be done to retain–or better yet, draw–artists to a city undergoing development and gentrification? Continue reading
A trio of academics attempt an engaging and instructive experiment with their recently published book, Gentrifier (University of Toronto Press, 2017). Through their own lives, John Joe Schlichtman, Jason Patch, and Marc Lamont Hill explore and challenge the ideas and parameters of gentrification.
Although the suburbs are anything but dead, an increasing number of Americans are choosing an urban life. Many cities (and historic streetcar suburbs) provide residents with walkable neighborhoods. More Americans want to step out their front doors and walk to a grocer, a cafe, or maybe even a movie theater. Meanwhile, Americans are rediscovering the needs and joys of community. These are encouraging, positive trends.
However, a renewed desire for urban living places pressure on cities’ housing markets. This leads to changes in the urban fabric and built environment. Boosters call this progress. Critics call it gentrification. A great debate concerning gentrification rages among activists, politicians, journalists, intellectuals, and everyday citizens in many improving cities and those poised for a rebound.